References. Semantic Scholar extracted view of "Eyes wide shut : Dudley Andrew, Hervé Joubert-Laurencin (dir. Oxford University Press, 1976 - Motion pictures - 278 pages. Mille huit cent quatre-vingt-quinze [En ligne], 64 | 2011, mis en 0 Reviews . François Albera, « Eyes wide shut : Dudley Andrew, Hervé Joubert-Laurencin (dir. A remarkable continuation of Dudley Andrew's classic, The Major Film Theories, this work focuses on the key concepts in film study: perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Selected pages. Andrew Covert strikes a conciliatory tone in responding to Dudley Andrew’s recent article “The Core and Flow of Film Studies,” arguing that we need to find a balance between sober analysis and the subjectivities we inevitably bring to our scholarship. Postwar Film Theory & Its Afterlife. Suivez Dudley Andrew et explorez sa bibliographie sur sa page d’auteur Dudley Andrew sur Amazon.fr. Contents. J. Dudley Andrew covers the ideas of 10 major theoreticians of film in this readable introduction (Hugo Munsterberg, Rudolf Arnheim, Sergei Eisenstein, Bela Balazs, Siegfried Kracauer, Andre Bazin, Jean Mitry, Christian Metz, Amedee Ayfre, Henri Agel). Référence(s) : Dudley Andrew, Hervé Joubert-Laurencin (dir. 303 pp. ), Opening Bazin. This view of Eisenstein as a sort of transcendental meta-physician is echoed in Dudley Andrew's book, The Major Film Theories , where Eisenstein is characterized as "not the kind of thinker who embraces a single idea or tradition which he then systematically develops. Language: english. p. 231-234. Postwar Film Theory & Its Afterlife" by F. Albéra . Texte intégral. An Introduction. I'm sure this is a standard for film schoolers, but for the most part it doesn't really read like a textbook. J. Dudley Andrew. ), Opening Bazin : Postwar Film Theory and Its Afterlife, Oxford University Press, 2011 Dudley Andrew, Une idée du cinéma. Bi-Tekstual Nost I Kinematograf. You are currently offline. Edition: 1. OXFORD UNIVERSITY PRESS Oxford London Glasgow New York Toronto Melbourne Wellington Nairobi Dar es Salaam Cape Town Kuala Lumpur Singapore Jakarta Hong Kong Tokyo Delhi Bombay Calcutta Madras Karachi Cover design based on sketches of film Alexander Nevsky by Sergei Eisenstein from The Film Sense by Eisenstein, translated and edited by … Since the publication of his Major Film Theories, a classic in the field, the sophistication of the debate concerning the proper approach to film has grown. His dissertation on film theorist André Bazin has funded several of his books, and has taken him frequently to France where he wrote two large histories of 1930s culture during the Popular Front era. We haven't found any reviews in the usual places. Table of Contents. Pages: 288. According to Dudley Andrew’s Cinema & Culture theory, film has the power to create our culture as well as reflect society as it already is. Concepts in Film Theory, J. Dudley Andrew, Oxford university press. A great, surprisingly accessible introduction to film theory. by Dudley Andrew Opening Bazin: Postwar Film Theory and Its Afterlife ed. ), Opening Bazin. not offer a single, coherent theory of film, but rather a collection of profound though disparate ideas. Skip to search form Skip to main content > Semantic Scholar's Logo. Index. Guido Aristarco - 1979 - Feltrinelli. This book is designed for anyone with a serious interest in the art of film. “André Bazin.” In The Major Film Theories: An Introduction. Year: 1976. Publication Date - April 1976. J. Dudley Andrew The University of Iowa 3. Dudley Andrew - 1984 - Oxford University Press. Des milliers de livres avec la livraison chez vous en 1 jour ou en magasin avec -5% de réduction . Dudley Andrew assesses structuralism, finds it insufficient, and proposes a new emphasis on a phenomenological hermeneutics. By J. Dudley Andrew, 134–178. Les théories du cinéma aujourd'hui (1988) with Dudley Andrew as Author of introduction, etc., Concepts in film theory (1984) André Bazin (1983) André Bazin (1978) The major film … Postwar Film Theory & Its Afterlife, New York, Oxford University Press, 2011, 351 p. Texte | Citation | Auteur. Marx, Il Cinema E la Critica Del Film. François Albera. Both a history of film theory and an introduction to the work of the most important writers in the field, Andrew's volume reveals the bases of thought of such major theorists as Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. 3: THE FORMATIVE TRADITION . 27: SERGEI EISENSTEIN42 . James Dudley Andrew (born July 28, 1945) is an American film theorist.He is R. Selden Rose Professor of Film and Comparative Literature at Yale University, where he has taught since the year 2000.Before moving to Yale, he taught for thirty years at the University of Iowa. 11: RUDOLF ARNHEIM . The Ways of Film Studies: Film Theory & the Interpretation of Films. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Al Mira Usmanova - 2003 - Propilei. Andrew, Dudley. Search. Title Page. J. Dudley Andrew. Passionate Detachments an Introduction to Feminist Film Theory. The Major Film Theories. Dudley Andrew is a master at making the world of film theory accessible to a largely mystified public. Both a history of film theory and an introduction to the work of the most important writers in the field "This history of film theory will enrich our discipline and remain an important source of both information and understanding for some time to come." Instead, ‘the cinema literally contributes to a culture’s self-image, inflecting, not just capturing daily experience’. Since the publication of his Major Film Theories, a classic in the field, the sophistication of the debate concerning the proper approach to film has grown. Sign In Create Free Account. ISBN: 9780195019919. Information on Middlesex University's Research Repository: a online collection of Middlesex University's research outputs It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Publisher: Oxford University Press. 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